The Secret History by Donna Tartt

Rating: 4 Stars

The Secret History by Donna Tartt is a curveball that comes and hits out of nowhere! I was not ready for the impact of this story at all. This book is considered a classic, and it is rare to find a bad review for this book. All the reviews that I have ever read of Donna Tartt’s books have cemented her as a critic’s darling in my eyes. This to me, means that her books are difficult to read and full of verbose philosophy. The Secret History is exactly that, and so much more.

The book starts off with a vibe similar to that of Dead Poet’s Society. You are tricked into thinking that this is a story about a teacher’s influence on his students. It’s not. Maybe there’s some shade of Lord of The Flies here. No, not really. As I read on (with much difficulty in the beginning), I thought maybe later books like We Were Liars were based on this book. Again, there’s no similarity except in the most superficial sense. It is useless to compare it to any book. It is original and shocking in its coldness and lack of feeling. This is Dark Academia at its best.

From the beginning, the characters cause conflict within the reader. They are odd, unemotional, and leave you feeling cold. None of these people elicit any sympathy in the the heart of the reader; not even the murder victim whose murder is the central theme of the book.

Richard Papen is nineteen years old when he comes to Hampden College in Vermont. He is from a small town in California, and all he wants in life is to get away from his roots. He becomes obsessed with a teacher and his exclusive group of students studying ancient Greek, and wants to join the class by any means.

However, once inside the clique, he realizes that these four boys and one girl are not as golden as he thought. Instead of becoming disillusioned, Richard becomes even more enamored of his new friends. Finally, he starts to feel like he belongs. Still, he cannot shake the feeling that his new friends are hiding something from him.

The truth, when it hits him, is wild and gruesome. Yet, Richard is by no means repelled or disgusted by it all. He is ready to do whatever is needed to get rid of all irritants and threats to his friends. What follows is something bound to end in disaster.

For a debut novel, this has to be one of the greatest that I have read. No wonder this book inspired a whole new genre of Dark Academia. Donna Tartt draws such a vivid picture of Vermont in fall and winter, that you cannot help but give a real shudder. The cold feels real, the darkness feels menacing, and at times, you can even smell the cigarette smoke! The mood is oppressive and heavy on the heart. There are no comic reprieves, just more coldness and cruelty.

It is no mean feat to write a book where you feel no sympathy for any of the characters, yet are unable to stop reading. You feel the need to read what happens next because something like this can never end well. And it doesn’t, but not in the way you expect it to. The climax is sudden and unexpected; it comes out of nowhere. But once you read it, you realize that it makes a twisted sort of sense. However, there were a couple of things that I was uncomfortable with. The hint of racism and Islamophobia was one. The other was the fact that Henry emerges as a hero when he was anything but!

It is definitely not easy to read The Secret History. It requires concentration and attention; and a little bit of heartlessness. But if you’re capable of all this, the book will not disappoint. I love the way Donna Tartt writes, and have become a fan. Still, I don’t think I will recommend this book to everyone. Certainly not for the sensitive and easily offended audience.

Review: The Other People

Rating: 3 Stars

The Other People is a decent book, but it doesn’t match up to the earlier brilliance of The Chalk Man. It is unfortunate that C.J. Tudor set the bar so high for herself with The Chalk Man.

Gabe has spent the last 3 years looking for his daughter. Everyone says his wife and daughter are dead. But Gabe knows that he saw his daughter in a strange car the same day she was supposed to have been murdered. He is not willing to give up on his quest.

Katie is a waitress in a service station off the M1 highway. She is the quintessential dutiful daughter, the responsible mother, and the caring sister. Her life is a series of monotonous days. That is all about to change.

Fran has been on the run with her daughter Alice for the last 3 years. She is running away from The Other People who want to hurt her and her daughter. Because she knows the truth about Gabe’s wife and daughter.

Then there’s a girl in a white room, with machines all around her. She has been asleep for more than 20 years.

All these stories would have made for an interesting read, if it hadn’t been so predictable. There are no real twists and turns in this story. The biggest disappointment is the paranormal angle which Tudor hasn’t used to its potential. If elaborated, it could have been the saving grace for this book.

What The Other People lacks is the coldbloodedness of Tudor’s earlier works. There is just too much empathy with every character. So I fail to understand how other reputable authors have declared this book “chilling” and “spooky”?

For me, The Other People is a miss. It is nothing like C.J. Tudor’s earlier works, and the chill factor leaves a lot to be desired too.

Review: The Perfect Wife

Rating: 4 Stars

JP Delaney has done it again! The Perfect Wife is the perfect thriller. It keeps you on the edge and waiting to see how it all concludes. Technically, this book can be classified as a sci-fi thriller, but only because it revolves around Artificial Intelligence.

The blurb of the book is so misleading that you think that you’re in for a murder mystery. Actually, The Perfect Wife is about Artificial Intelligence and human failings. Whoever wrote the blurb probably didn’t read the book. Abbie finds out in the first chapter that she was declared dead five years ago.

Abbie Cullen-Scott wakes up after a vivid dream to find herself in a hospital bed with no memory of how she got there. She assumes she was in an accident, and wants to know what happened. When she sees her husband, Tim, she wants to know what happened, and whether their autistic son is all right.

Tim is a genius. He is the founder of Scott Robotics, a tech company that has made revolutionary strides in AI technology. What Tim tells Abbie is so unbelievable that she is unable to grasp the implications of it all. Abbie’s memories are of 5 years ago, when she disappeared. What follows is the chilling and thrilling story of Abbie trying to figure out the truth while looking out for her son and her own welfare.

Delaney goes back to the theme that he first used in The Girl Before, and tweaks it into something that is so much better. It is guaranteed to create conflict within the reader about right and wrong. After all, how far is far enough when it comes to technology?

There is an ambiguity about who the narrator of the story is. Seemingly two different people are telling the same story, but from different perspectives, which makes it more engaging.

A word of warning though: This book talks a lot about Autism and its challenges, and the different approaches to understanding it. The author has an autistic son himself and he has tried to be as real about it as possible. For many people, it might be painful to read about the treatments and attitudes regarding Autism that are very common in real life.

A superb thriller that makes me look forward to Delaney’s next.

Review: The Geometry of God

Rating: 3 Stars

I started reading The Geometry of God by Uzma Aslam Khan, without any idea what it was about. I’m always looking for good Pakistani authors, so when a book club I follow started reading this book, I decided to join in. I wasn’t disappointed.

The Geometry of God is the story of two sisters, Amal the practical one, and Mehwish who is blind; and their grandfather, Zahoor, a scientist. Most people consider Zahoor a heretic . When a fourth character, Noman, enters the story, he unleashes a chain of events that goes on to have consequences for all of them.

The thing that I liked the most about this book is how unapologetically Pakistani it is. Khan is not afraid to use Urdu and Punjabi to describe things that can only be described in these languages. The best part is that Khan does not compromise the Urdu words used in the book. The tenses and forms used are mostly correct, as used in real life, not like some weird translation of English words.

There are references that only people from the subcotinent understand; like the Manjha (kite string) sharpened with powdered glass, taking countless lives in Lahore during the festival of Basant; or the double knot in the shalwar. It is refreshing to read about things that are as normal as breathing to us but sound alien to others.

The most interesting voice in the book is that of Mehwish. I cannot applaud Khan enough for writing a character who is blind but who has vision and imagination. The way Mehwish thinks and classifies things is brilliant. The parts where she is the narrator require more concentration but are so funny and poignant that you want to meet Mehwish in real life!

Another thing in favour of the book is that it doesn’t pander to the western narrative. It shows Pakistan in a way relatable to the common Pakistani. Most people considered Zia’s regime restrictive. The Afghan refugees were considered a menace gifted to us by the U.S in the 80s Pakistan. No one has ever thought of the United States of America or Russia as anything other than the ones responsible for the plight of our country. They arecertainly not the saviors of anyone.

The things that didn’t resonate with me in this book have to do with me personally more than the writing. I have been a history buff, mostly good with dates, but only until the Zia regime. Because that is just history that I have not lived in or been too young to understand. After that, it’s just Benazir, Nawaz, Benazir, Nawaz, Musharraf, Zardari, Nawaz and Imran for me. I don’t remember much about the first 2 terms of either Benazir or Nawaz, and that seriously messed up some timelines of the book in my head. This confusion made it a bit difficult to understand the political environment of the time.

Another problem that I had was with all the philosophy and narrative in this book. Sometimes I feel like my mind has become foggy and unable to grasp difficult ideas, and this book made the feeling stronger. While I understood most of what Nana and his friends went on about, it still felt too verbose. I had to go back and read everything a few more times to get the actual meaning, and that was just more work for me.

Overall, The Geometry of God is a good, solid book written from a very desi perspective. It is likely to resonate with most people who like reading books without passing judgment on religion and morals.

Review: Troubled Blood (Strike And Robin #5)

Rating: 4 Stars

This book confused the hell out of me! So many characters, so much information, and Strike and Robin going round in circles! I had to go back and forth to keep everything straight, which, with a book this size, is sheer madness!

But oh the mystery, and the action! Robert Galbraith is like P.D James in my opinion. The descriptions are long, the characters have a habit of sprouting rubbish meant to be deep and profound, and important things get lost in the meandrings of the author’s mind. Yet, the story is so powerful that you don’t want to give up.

I would like to make it clear that I couldn’t care less what the writer is like in real life. If I started caring about authors and their real life problems, I’d have no books to read! I like reviewing books, not the personal lives of other human beings.

Troubled Blood starts off with Strike back in Cornwall to see his sick aunt. He meets a woman who wants to hire him to find out what happened to her mother who vanished 40 years ago. Strike and Robin agree to take the case. They set a limit of a year to get a breakthrough or give up. There are a few other cases, and both Strike and Robin are going through their own personal struggles, like always. On top of this, the initial investigations in the missing woman case are a mess.

The police detective originally investigating the crime was having a mental breakdown, and his notes reflect that deterioration of mind. But of course, all this happens after you have read so many pages that you might as well have read a whole book!

It is always fun to go on an adventure with Strike and Robin, but it is becoming harder with every new book. Galbraith needs to tighten the writing or no one is going to read these never-ending stories! I feel that a lot of focus is lost because of so many other cases on the side. A detective agency can take on multiple cases at one time, but it is not necessary to go into the details of each and every one of them.

Then there is the personal angle that bothers me so much! I have said it before, and I say it again, there is no need for Strike and Robin to be involved romantically. Their personal lives are like train wrecks, you can only feel sorry for them. It is one of the things that I dislike the most about this series.

Troubled Blood is a really good book, but I hesitate in recommending it. Because it is too long and confusing, only real fans of Strike and Robin can truly enjoy this one.

Review: Salt And Saffron

Rating: 3.5 Stars 

Salt And Saffron by Kamila Shamsie is a light-hearted book about family history, class divisions, prejudices and familial love. Shamsie has created a fictional aristocratic family, proud of its roots that go back many centuries. She has used this family as an example of the elitism and caste system deeply embedded in our culture in the guise of family values and pride.

The very name of the family, the Dard-e-Dils (the Heartaches), is so unreal that you know what will follow can only be satirical and tongue-in-cheek. This family, the Dard-e-Dils, is proud of its heritage and they love to tell stories, mainly about their ancestors. Most of these stories are about the “not-quite” twins. These “not-quite” twins have been born quite frequently through history, and have always brought about the downfall of this family.

Aliya is the main protagonist, going back from the US to her family in Karachi, by way of London. She last talked to her Dadi (paternal grandmother) 4 years ago when they had a massive falling out. After avoiding her for 4 years, Aliya thinks that it’s time to heal the breach. But first, she makes a stop in London to see her older cousin with whom she is very close. And it is there that her own story seems to take an unexpected turn. She not only finds herself attracted to a boy who might be unacceptable to her family, but also meets the Indian side of her family.

The Indian and Pakistani sides of the Dard-e-Dils refuse to acknowledge each other, and still carry old wounds from the time of the partition. Aliya learns something about herself during her meeting with her Indian relatives. This makes it even more imperative for her to go back home and figure out what she wants from life.

Essentially a love story, Salt And Saffron also takes a look at the deeper consequences of the Indo-Pak partition; the deeply ingrained prejudices that are passed down through generations in the form of class and caste. How family history is written through stories that become legends as time passes.

Kamila Shamsie is an excellent writer and it is hard to find fault in her writing. She takes very real elements from her surroundings and turns them into a riveting story. The only problem is that since this book is written from the perspective of a particular class, it might be difficult to relate to for people who do not belong to that class. However, this does not stop me from appreciating her craft and her command of words. She is definitely a master storyteller.

Review: The Family Tree

Rating: 4.5 Stars

First and foremost, I want to thank Sairish Hussain for writing The Family Tree. It was so refreshing to read about people that I could relate to; people like me, my friends, and my family. There have been very few books about people of Pakistani origin that portray them as normal, everyday humans, with average families and average lives, without the specter of religion haunting the whole story, sometimes even overshadowing it!

The story spans a period of some 24 years, from 1993 to 2017, and is the tale of a family living in Yorkshire. The mother dies in childbirth and leaves behind a new-born girl and a ten year old boy. This situation is bewildering and upsetting for the poor father. He fights his way through depression and brings up his children to the best of his ability. There is nothing stereotypical about this man, or any other man in this book. These characters are all as real as any living person.

Amjad is a British-born man. His parents migrated to Britain from Pakistan before his birth. He works at a warehouse and lives in a modest house, but dreams of giving his children a better life. Dreaming the same dream with him is Harun, Amjad’s best friend. Amjad’s son Saahil and Harun’s son Ehsan are also inseparable and do everything together. When his wife Neelam dies while giving birth to their daughter Zarah, it shatters Amjad. He is determined to do his best by his children and give them everything that he is capable of providing.

With Harun and his wife’s support, and with Saahil helping him along, Amjad manages to give his kids a loving home, not remarrying despite his Ammi’s constant nagging. Things start looking up when Zahra turns ten, and Saahil and Ehsan are all set to graduate from engineering university. And then everything changes in just one night. The lives of all these people change after an act of senseless violence, and Amjad finds himself left alone to raise Zahra with only the aid of his ageing Ammi.

The three main characters are also the narrators of the story. There is a background of cultural and religious identities clashing with the politics of the times. The characters are so well fleshed out that it is easy to picture them all as if they were right in front of you.

While there are many instances where I might have shed a tear or two, this book is not heavy on the heart; you never feel hopeless. Every character is determined in their own way, trying to navigate life like everyone does in the real world. They have their strengths and weaknesses; their highs and lows; yet they remain hopeful. This sense of hope is why The Family Tree stands apart from other similar books.

All through the book we encounter things like racism, religious identity, inter racial friendships, sexism, and other relevant issues. Yet, not once do these issues take over the narrative and draw you away from the real story. It is like all these things are a part of life, not anyone’s whole life. And this is what makes this book amazing in my eyes.

Amjad is representative of all those fathers who live their lives for their children. His love for his family shines in his character above everything else. My heart ached so much for this man who has to raise 2 kids on his own, and yet does the best that he can to give them a better future. There are so many fathers like him in this world, who are willing to sacrifice everything for their children, and who work tirelessly towards this end.

Saahil is one of those young men whose dreams are cut short by tragic circumstances. He is forced to grow up much before his time. His actions and their consequences are so real and believable that you can’t help but feel sad for this boy. He thinks and reacts like a normal teenager and while his actions are questionable, he thankfully doesn’t succumb to the too-common fate of becoming radicalized!

Then there is Zahra.

…everyone is too busy telling us who we are. It’s time we spoke for ourselves.

My favourite character by far has to be Zahra. She is intelligent, smart, beautiful, and knows what she wants. Her identity does not confuse her, nor is she apologetic about her heritage. Zahra is a British Muslim with Pakistani roots, and the world has to accept her for who she is. It was sheer pleasure to encounter such a strong female character who doesn’t have to resort to props like a shalwar kameez or a hijab to make her a Muslim, nor does she need validation from the males around her to make her a good Pakistani girl. These are the kind of girls that I want to read about.

I would also like to add that I really love the cover of The Family Tree. It is beautiful, and so in sync with the book. Neelam’s shawl plays a major role in the story. It is the thread that binds this family together. If there is one thing that can represent this family, it is this piece of cloth. It truly does connect all three people in this family.

The Family Tree is one book that I would recommend everyone to read, whether you are a South Asian or not. I promise you will not regret it!

Review: Lock Every Door

Rating: 3 Stars

Riley Sager is an author whose books are a must-buy for me. I enjoyed his first two books so much that even the weak links in the books didn’t really matter. To say that I was looking forward to reading Lock Every Door, is an understatement; which is why I was so very disappointed with it! Even though there are some stellar reviews and this is a highly rated book, it failed to impress.

The book starts off spectacularly with Jules Larsen finding an apartment sitting job that seems too good to be true. She is unemployed and has been unceremoniously dumped by her boyfriend. The address is the prestigious Bartholomew, a New York landmark, exclusive and secretive. The apartment is everything that she has ever dreamed of, and more. Except that it gives her the creeps and she can feel something sinister within its walls. Shrugging off the feeling as a residue of her past experiences, and ignoring the warnings of her best friend, Jules decides to spend the next 3 months living in luxury and earning the easiest money ever.

The rules are very strict. Jules cannot disturb any other residents; she cannot spend any nights away from the apartment; and she can not have any visitors. For Jules, these rules are just the eccentricities of the rich and famous, and not something to worry about.

There are also other apartment sitters in the building. Jules soon finds herself befriending Ingrid who lives in the apartment right beneath Jules’s. Ingrid tells Jules that she feels scared, like something is not right in their building. Jules laughs off her fears and doesn’t think much of them. Until one night she hears a scream from Ingrid’s apartment, and finds out that Ingrid has disappeared without trace. As Jules is afraid that history might repeat itself, she decides to find Ingrid and lay her own demons to rest.

The suspense and tension till here is absolutely fantastic; you can feel the sinister presence of evil within the Bartholomew. However, as Lock Every Door rushes towards the climax, everything starts spinning out of control. Jules suddenly becomes a dumb girl making poor choices, yet being smart enough or lucky enough to get away with them. Then comes the last part of the book that is one of the most unbelievable sequences that I have ever read. I understand that it is not easy to find a balance between the sinister and the real world, and sometimes writers find it hard to come up with a resolution that is good enough to justify the whole spooky scenario while being realistic at the same time. Still, this was a bit much for me, and a big let down after such an excellent rest of the book!

This brings me to the fact that all three of Riley Sager’s books have very weak climax sequences. The perpetrator is a surprise for sure, but once you look back, the whole plot starts to look shaky. This time around, more than shaky, it seems downright ridiculous and full of plot holes. If I seem too harsh, then it’s only because I expected so much from Lock Every Door, and I don’t like being disappointed.

Still, that doesn’t stop me from looking forward to Sager’s next book. I have bought it already and can’t wait to read it.

Review: The Hunting Party

Rating: 3 Stars

The Hunting Party by Lucy Foley is definitely a page turner. It has all the elements that make it a great thriller. At least, till you finish. Then you realize that there are some unanswered questions that keep niggling at you.

A group of friends has been spending New Year’s Eve together for the last ten years. This tradition has continued ever since they were students at Oxford. This year they find themselves isolated and cut off from the rest of the world on an estate spread over thousands of acres in the Scottish Highlands. The cracks in their long lasting friendship begin to appear on the train journey to the remote location. They reach the estate on 30th December, and by New Year’s Day, one of them has disappeared.

Things seem to be normal as they all try to capture the old feelings of being carefree and having a good time. But over time, each one of them has become resentful. They all hold grudges from things said and done over the last decade. As events start to unravel, it seems like any one of them could be a murderer….or the victim.

Going back and forth in time, the story is told from 5 different perspectives. It is not clear who the victim is until very near the climax. The suspense is gripping and the setting is bleak and brutal. The characters are nothing new, just the typical type of people in almost every book about old friends. There’s the Queen Bee around whom the whole group revolves; the handsome but shallow Hunk married to the Queen Bee; the simple and quiet Best Friend; the Angry dude with a secret crush on the Queen Bee; the Gay couple; the Loved Up couple with a kid; and the Wannabe who wants to be best friends with the Queen Bee.

Even with such cliched characters, The Hunting party is interesting and keeps you glued to find out who has been killed, and who has the stomach to commit murder. However, the ending leaves a lot of things up in the air. The climax is not spectacular, but it is satisfactory. The epilogue, though leaves a lot of relevant questions unanswered while giving details on things that were rather irrelevant to the main story.

WARNING: SPOILERS AHEAD!!!!

I have some questions that I need answered. I was ready to give the book a higher rating, until I realized that there were some very glaring loose ends.

  • What was the purpose of the converstion that Heather overhears in her office? How did the guy get the note in the first place? And did it turn up later on to destory him? Also, why was the woman talking to him like it mattered to her, if she was already resentful and disillusioned with him?
  • The court case was biased because the jury was impressed by the killer’s plea that it was unintentional, but what about the attempt to murder that was quite deliberate with a rifle stolen from the estate? Weren’t there more than enough eyewitnesses for that?
  • I have a problem with protagonists being stupid, taking matters into their own hands, and wandering, deliberately and knowingly, into danger without telling anyone else!

Review: Conviction

Rating: 3 Stars

Conviction by Denise Mina follows Anna McDonald as her life unravels one fine day. She gets up early like always, relishing her “me time” before her husband and daughters wake up. She has no idea how things are going to go down on this particular morning. Engrossed in her new true crime podcast, it takes her some time to catch on with what is going on with her husband. Before long, she is alone in the house, desperate, and on the verge of doing something stupid. The only thing she can think of is to listen to the podcast, and try to forget her own troubles for a while.

As it turns out, the events of the morning are just the beginning of her troubles. As she listens to the podcast about a family murdered on board a cursed yacht, she realizes that not only does she know one of the victims, she has also come across another person mentioned in the podcast. Someone connected to the past that Anna has tried to delete from her life; a past that her husband, daughters and friends have no idea about.

Even though she is certain she knows what happened to the ill-fated family, Anna has no intention of telling anyone about it. Until Fin Cohen shows up at her door, and a nosy neighbour takes the choice out of Anna’s hands. Now Anna is on the run. She is determined to get to the bottom of the triple murders. An all-too-recognizable ex-rockstar accompanies her. He has no idea about the nest of hornets that he has stirred up.

Conviction is fast paced. The murder mystery keeps the reader hooked for a while at least. But then Anna’s past life starts intruding. While it is commendable that the writer maintains the pace, it also becomes irritating that things are left up in the air where Anna’s past is concerned. All actions and everyone’s motivations are guessed at by Anna, and that too with a superficiality that leaves you thinking, why would anyone do that?

Conviction concludes with the same speed with which it started, leaving behind a lot of unanswered questions. For me, this open ended conclusion is not a negative point. I like books that leave things unsaid and unexplained; in other words I like things to be left to the reader’s imagination. Not all readers are like that, though. So if you like books that tie up all ends and solve all of life’s little mysteries, this book might not be for you. For people like me, pick it up, give it a read.

Exit mobile version